Black European & Afro-Swedish Studies

Monica’s work in Black European and Afro-Swedish cultural studies uses critical race theories grounded in Black European experiences to examine the emplacement of Black people in Europe, the cultures they are trying to make or remake, and the diasporic identities they are forging. Using fiction, poetry, film, and art, she thinks and writes about Black identities historically present and emerging in places that claim colorblindness and colonial and imperial amnesia, and in which there is little vocabulary for talking about race and Blackness. Monica’s work in Sweden emerges from being a sometime resident and frequent visitor to Sweden over the last nearly 25 years. Her research and writing about Sweden aims to document and analyze the dynamic, experimental Black otherwiseness that is developing there via literature, art, film, and performance.

Book in Progress

Monica’s book-in-progress organizes and explores a series of cultural events and happenings that took place between roughly 2010 and 2018 in Sweden that are forming the contours of Blackness in Sweden. These events range across time, space, and artistic media, reflecting, in many ways, the rhizomatic nature of blackness that is becoming there. Monica analyzes these events against a contextual landscape that is also emerging and in flux, both within Sweden and in Europe. Important touchpoints include, among others long-awaited investigations into Swedish involvement in slavery, colonialism, imperialism and the development of global anti-Blackness; feminist and antiracist analysis of a Swedish “exceptionalism,” that comes out of a denial of these histories; the presence of an overwhelming norm of whiteness and colorblindness that complicates anti-racist political and cultural work; and finally, critiques of the inevitability of an “impossible multiculturalism” and perpetual “otherness” of Black and racialized people in majority white European places. All of this is necessary to chart a change in the perception of Blackness in Sweden from an indelible Otherness to a political Black otherwise-ness to a diasporic sense of rhizomatic Black being.

Articles and Book Chapters

Recent Talks

Presence, Protest, and Possibility: A Roundtable with the AfroNordic Feminisms Group

Society for the Advancement of Scandinavian Studies Meeting. Seattle, Washington. May 2024.

On paper, we are parentheses into which someone else has placed us’: Black Swedish Memoir and The Rhizomatics of Race.

Sketches of Black Europe: Imagining Europe/ans in African and African Diasporic Narratives. Blankensee Colloquium, Leibniz-Zentrum für Literatur-und Kulturforschung. Berlin, Germany. March 2022. 

Introduction

Thinking Through Racial Capitalism and Settler Colonialism in the Context of the Nordics. Heyman Center, Columbia University. New York, NY. February 2022.

Rhizomatic Forms and Global Black Aesthetics.

Bard Graduate Center Seminar in Art and Material Culture of Africa and the African Diaspora. November 2021.

Media and Other Projects

Co-convener, with Nana Osei-Kofi, AfroNordic Feminisms Working Group, Center for the Study of Social Difference, Columbia University (2022-25)

Stowaway Turned Artist’s Model: The Story of Pierre Louis Alexandre.” Athena Art Foundation. January 2023. My research was used for this video and previous article,  “The Artist’s Model: Pierre Louis Alexandre.” April 2022.

“WaterWorks/Dive Deeper: A Drop of Midnight.” Harlem Stage. Conversation with Jason Diakité and Jonathan McCrory (part 1) and Jason Diakité and Farnaz Arbabi (part 2). October 2020.